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2012 American science fiction action-thriller film directed past Rian Johnson

Looper
Looper poster.jpg

Theatrical release affiche
Directed past Rian Johnson
Written by Rian Johnson
Produced by
  • Ram Bergman
  • James D. Stern
Starring
  • Bruce Willis
  • Joseph Gordon-Levitt
  • Emily Blunt
  • Paul Dano
  • Noah Segan
  • Piper Perabo
  • Jeff Daniels
Cinematography Steve Yedlin
Edited by Bob Ducsay
Music by Nathan Johnson

Production
companies
  • TriStar Pictures[1]
  • FilmDistrict[ane]
  • Endgame Entertainment[1] [ii]
  • DMG Amusement[1]
  • Ram Bergman Productions[1]
Distributed by Sony Pictures Releasing[3]
(via TriStar Pictures) [2]

Release dates
  • September six, 2012 (2012-09-06) (TIFF)
  • September 28, 2012 (2012-09-28) (United states of america)

Running time

 118 minutes[iv]
Country U.s.a.[2]
Linguistic communication English
Budget $xxx one thousand thousand[5]
Box office $176.5 million[5]

Looper is a 2012 American science fiction action-thriller film[5] written and directed past Rian Johnson, and produced by Ram Bergman and James D. Stern. It stars Joseph Gordon-Levitt, Emily Blunt, Jeff Daniels and Bruce Willis. It revolves effectually "present-day" contract killers called "loopers" hired by criminal syndicates from the future to terminate victims whom they ship back through time.

Looper was selected equally the opening picture show of the 2012 Toronto International Film Festival and was released in the Us on September 28, 2012.[six] [vii] The film received disquisitional acclaim and was a box office success, grossing $176 million worldwide on a $thirty million budget.

Plot [edit]

In 2044, 25-year-old Joe works for a Kansas Urban center crime syndicate as an assassin, or "looper." Since tracking systems in the future of 2074 have made it well-nigh impossible to dispose of bodies undetected, the syndicate sends its enemies back in time to be executed. Managed by a man from the futurity named Abe, loopers kill and dispose of victims whose faces are concealed, recovering silver bars fastened to their targets as payment. To hide connections to the syndicate, any loopers who survive until 2074 are sent back and killed by their own younger selves, referred to as "endmost the loop." These targets are identified by gold bars instead of argent, marking the end of the looper'southward contract.

Joe'due south friend Seth confesses to Joe that he failed in an assignment to kill his future cocky. Former Seth has escaped, after warning Seth that a person in the futurity called the Rainmaker will overthrow the five major bosses and shut all loops. Joe reluctantly hides Seth in his flat's floor prophylactic, but afterwards reveals his location afterwards Abe threatens to confiscate half of Joe'southward saved silver. Abe's aristocracy "Gat Men" capture Seth, cutting an address into his arm, and brainstorm severing torso parts. These effects appear on Old Seth's body; he goes to the address on his arm and is shot expressionless by Child Blue, one of the Gat Men.

When Joe's next target arrives, it is his older self, but with his face up uncovered and easily unbound. Old Joe escapes before Joe tin can kill him. Returning to his flat and finding it ransacked by the Gat Men, Joe fights with Kid Blue, falls off a fire escape and blacks out.

In another timeline, Joe does kill his older self. He moves to Shanghai and becomes a hitman to finance his drug addiction and wild lifestyle. Eventually, he marries and breaks the addiction with his wife's help. Seven years later, his wife is killed when Joe is taken to close the loop. Overpowering his captors, Sometime Joe sends himself dorsum to 2044, altering his history by evading Joe and escaping.

Old Joe experiences vague memories of Joe's actions in the present, and meets his younger self at a diner. He wants to alter history again and relieve his wife by killing the Rainmaker every bit a child. He acquires a map from a local library using numbers written on his hand that are supposed to pertain to the Rainmaker's identity. Kid Blue and the Gat Men appear, and a gunfight ensues. Both Joes escape, with pieces of the map.

Joe follows the map to a farm where a woman named Sara lives with her young son Cid. Sara recognizes the numbers on the map every bit Cid'south birthday and the location of the hospital where he was built-in. Joe guesses that Old Joe is going to impale all three children born at that infirmary on the same day, non knowing which one will become the Rainmaker.

Jesse, a Gat Man, comes to the farm, but Cid and Joe hibernate. Afterward that nighttime, Sara and Joe take sexual activity, and Sara reveals that while she has slightly above-boilerplate telekinetic powers, Cid's abilities are far stronger. In the morning, Joe wakes to find Jesse property Sara at gunpoint. Terrified, Cid kills Jesse using telekinesis. Joe realizes that Cid volition get the Rainmaker and that Old Joe volition now know this.

Kid Blueish captures Old Joe and takes him to Abe. Old Joe breaks free, killing Abe and his henchmen, and goes to Sara's farm, followed by Kid Bluish. While Young Joe kills Kid Blueish, Old Joe pursues Sara and Cid. When Cid'south face is grazed by a bullet, Sara calms him before he can react and kill anyone. She sends Cid into a pikestaff field and positions herself to block Quondam Joe's line of fire. Joe realizes that Cid will become the Rainmaker if Quondam Joe kills Sara. He commits suicide, erasing Erstwhile Joe's being, saving Sara and potentially preventing Cid from condign the Rainmaker.

Cast [edit]

  • Joseph Gordon-Levitt equally Joe
  • Bruce Willis as Quondam Joe
  • Emily Blunt as Sara
  • Paul Dano as Seth
  • Noah Segan as Kid Blue
  • Piper Perabo as Suzie
  • Jeff Daniels as Abe
  • Pierce Gagnon as Cid
  • Summer Qing as Joe'south Married woman
  • Tracie Thoms as Beatrix
  • Garret Dillahunt as Jesse
  • Nick Gomez as Dale
  • Frank Brennan as One-time Seth

Product [edit]

Rian Johnson and Joseph Gordon-Levitt speaking at WonderCon 2012 in promotion of Looper.

Looper was written and directed by Rian Johnson, originally conceived as a brusk pic starring Joseph Gordon-Levitt, shortly after making Brick, Johnson'south first feature.[8] After Johnson released The Brothers Bloom in 2008, he re-teamed with producer Ram Bergman, who produced Johnson's previous ii films, with the goal of starting production of Looper in 2009.[ix] In May 2010, Gordon-Levitt was cast in one of the pb roles, which he would play after completing Premium Blitz.[10] Later in the calendar month, Bruce Willis was also cast.[eleven] In the following October, Emily Edgeless joined Gordon-Levitt and Willis.[12] Noah Segan, Jeff Daniels and Piper Perabo were bandage in Jan 2011.[13] Filming began in Louisiana on January 24, 2011.[14] [ verification needed ]

Makeup artist Kazuhiro Tsuji created the prosthetics that Gordon-Levitt wore in the film then that he would physically resemble Willis.[15] The film's score was composed past Nathan Johnson, Rian Johnson's cousin.[sixteen]

Talking about Looper and fourth dimension travel in film, Rian Johnson said:

Even though it's a fourth dimension-travel motion picture, the pleasure of it doesn't come up from the mass of fourth dimension travel. It's not a picture show like Primer, for instance, where the big function of the enjoyment is kind of working out all the intricacies of it. For Looper, I very much wanted it to be a more character-based movie that is more well-nigh how these characters dealt with the situation time travel has brought virtually. And then the biggest challenge was figuring out how to not spend the whole flick explaining the rules and effigy out how to put it out there in a way that made sense on some intuitive level for the audience; then go past information technology and bargain with the existent meat of the story.[sixteen]

Other influences cited by Rian Johnson include The Terminator, Witness, Akira,[17] Domu: A Child's Dream,[18] 12 Monkeys, Timecrimes, and Difficult-Boiled Wonderland and the End of the World.[19]

Release [edit]

Theatrical [edit]

Looper premiered on September 6, 2012, at the opening night of the Toronto International Film Festival.[20] The picture show was and then released theatrically in the U.s.a. on September 28, 2012[21] by FilmDistrict, who obtained the domestic rights from product visitor Endgame Entertainment at the 2011 Cannes Film Festival. In turn, FilmDistrict chose to release the film with Sony Pictures, over their genre characterization TriStar Pictures.[22]

The Chinese release of the film reintegrates a substantial number of scenes ready in Shanghai. The move was requested past Chinese production company DMG Amusement in society to further appeal to Chinese audiences. Several of these scenes were shortened or cutting for the American release.[23]

Johnson released a costless audio commentary on SoundCloud (which was heavily requested subsequently making ane for The Brothers Bloom) to be downloaded and listened to during the film, with the alert: "Needless to say, this is NOT to be listened to on a starting time viewing, or before you've seen the film."

Domicile media [edit]

The flick was released on Blu-ray and DVD[24] in North America on Dec 31, 2012.[25] The film was also released on January 28, 2013 in online UK stores, with a general release on February four, 2013. The film made $xx,583,583 in domestic DVD sales and $11,468,974 from domestic Blu-ray sales for a full of $32,052,557.[26] [27] The film was remastered for an Ultra HD Blu-ray release in 2021.[28]

Reception [edit]

Box office [edit]

Looper opened on September 28, 2012, in two,992 theaters in North America and grossed United states$20,801,522 in its opening weekend averaging U.s.a.$6,952 per theater and ranking #2 at the box office. The widest release of the moving picture in the U.South was 2,993 theaters and it ended up earning US$66.5 meg domestically and US$110 million internationally for a total of United states of america$176.five meg, against its Us$30 million production budget.[29]

Critical response [edit]

On Rotten Tomatoes, the film holds an approval rating of 93% based on 271 reviews, with an average rating of 8.10/ten. The website's critics consensus reads, "Every bit thought-provoking as it is thrilling, Looper delivers an uncommonly smart, bravely original blend of futuristic sci-fi and expert old-fashioned action."[30] On Metacritic the film has a weighted average score of 84 out of 100, based on 44 critics, indicating "universal acclamation".[31] Audiences polled past CinemaScore gave the moving-picture show an average grade of "B+" on an A+ to F scale.[32]

James Mottram of Total Film gave Looper v stars out of 5, final that it was "the best sci-fi moving picture since Moon. The best time-travel yarn since 12 Monkeys. And one of the best films of 2012."[33]

Todd McCarthy of The Hollywood Reporter gave the flick a positive review, calling it "an engaging, neatly worked-out fourth dimension-travel sci-fi thriller", but besides criticizing the furnishings involved in making Gordon-Levitt resemble Willis: "At first, the effect is a bit odd, and you tin can't quite put your finger on what's off; then information technology feels downright weird to be looking at a version of Gordon-Levitt who is no longer the thespian yous've known for a few years now."[34]

Peter Debruge of Variety besides gave the movie a positive review, writing that writer-director Johnson's "grandly conceived, impressively mounted third feature shows a giddy, geeky interest in science-fiction, and so forces it into the back seat and lets the multidimensional characters drive. In a genre infamous for loose ends, this thinking man's thriller marshals activity, romance and a dose of very dark one-act toward a stunning payoff."[35]

Kim Newman of Empire mag gave Looper 5 stars out of 5, writing, "Intelligent science-fiction sometimes seems an endangered species—too much physics and in that location'southward a risk of creating something cold and remote, too many explosions and go lost in the multiplex. Looper isn't perfect, but it pulls off the full Sorcerer Of Oz: it has a encephalon, courage and a heart."[36] Noel Murray of The A.5. Club gave the film an A− grade, writing, "Looper is a remarkable feat of imagination and execution, entertaining from start to end, fifty-fifty as it asks the audience to contemplate how and why humanity keeps making the aforementioned rotten mistakes."[37] Kenneth Turan of the Los Angeles Times gave the moving-picture show a positive review, writing, "Looper is way inventive but it wears its creativity lightly, like it's no big bargain. This is a highflying, super-stylish scientific discipline-fiction thriller that brings a fresh approach to mind-angle genre material. We're not ever sure where this time-travel motion picture is going, only we wouldn't dream of abandoning the ride."[38]

Claudia Puig of USA Today gave the film 3.5 stars out of iv, writing, "Looper 'due south heady alloy of time travel, gritty action and a jot of romance is such a thrilling and cerebral listen-bender that it will likely take moviegoers gathering outside the theater afterward to discuss details of its intricately constructed universe. Not that that'southward a bad matter."[39] Peter Travers of Rolling Stone too gave the film 3.v stars out of four, praising the performances of Willis and Gordon-Levitt and concluding, "Lacing tremendously heady activity with touching gravity, Looper hits you similar a shot in the heart."[40] Roger Ebert of the Chicago Dominicus-Times also gave the film 3.5 stars out of 4, praising its screenplay, stating "Looper, a smart and tricky sci-fi story, sidesteps the paradoxes of time travel by embracing them. Most time travel movies run across trouble in the final scenes, when impossibilities pile up one upon another. This motion picture leads to a startling conclusion that wipes out the story'due south paradoxes so neatly information technology's every bit if information technology never happened."[41]

Lisa Schwarzbaum of Entertainment Weekly gave the film a B+ form, writing, "The time swivels in Looper evoke some of Inception 's fancy temporal tricks (some of which, of course, also involved Gordon-Levitt straddling multiple time zones at once). Simply it'due south the glimpses of Children of Men-like societal dystopia that give the movie its existent weight".[42] Keith Staskiewicz, also writing for Amusement Weekly (reviewing the DVD) and also giving a "B+", said, "The movie'due south premise is markedly inventive, and [writer-managing director Rian] Johnson spends a lot of fourth dimension making his universe seem lived-in and believable, but he's not but concerned with whiz-bang what-ifs. The showdown of selves illuminates just how footling Gordon-Levitt's character has changed over the intervening years, stuck as he is in a feedback loop of drug use and violence despite his pipe dream of moving to Europe. The retro trench coats and firearms also suggest a sort of eternal recurrence, and every bit Looper's plot gets more complex, its central question simplifies: If nosotros tin can't ready our mistakes, tin we at least brand sure we don't repeat the same ones over and over again?"[43]

Richard Corliss of Time mag gave the moving-picture show a positive review, calling Looper a "hybrid, mashing Quentin Tarantino and Philip Thousand. Dick into a species of pulp scientific discipline fiction" and also writing, "A fanciful motion-picture show with the patina of hyper-realism, Looper is well served by actors who behave not as if they were dropped carelessly into the futurity simply spent their whole desperate lives there."[44] Dana Stevens of Slate gave the film a mixed review, writing, "Looper felt to me like a maddening near-miss: It posits an impossible simply fascinating-to-imagine relationship – a face-to-face encounter betwixt 1'southward nowadays and future self, in which each self must account for its betrayal of the other – then throws away nearly all the dramatic potential that human relationship offers."[45]

Accolades [edit]

Award Nominees Event
National Board of Review Award for Best Original Screenplay[46] Rian Johnson Won
Washington D.C. Area Pic Critics Clan Award for Best Original Screenplay[47] Rian Johnson Won
Critics' Choice Movie Award for Best Original Screenplay[48] Rian Johnson Nominated
Critics' Pick Movie Award for Best Sci-Fi/Horror Moving picture [49] Looper Won
Chicago Film Critics Clan Award for Best Original Screenplay[50] Rian Johnson Nominated
Houston Film Critics Society Original Screenplay[51] Rian Johnson Nominated
Austin Flick Critics Association Original Screenplay[52] Rian Johnson Won
Florida Motion-picture show Critics Circumvolve Original Screenplay[53] Rian Johnson Won
Online Film Critics Society Original Screenplay[54] Rian Johnson Nominated
Hugo Accolade for All-time Dramatic Presentation, Long Grade[55] Rian Johnson Nominated
Young Creative person Award for All-time Performance in a Characteristic Picture - Supporting Young Player X and Under[56] Pierce Gagnon Nominated

Elevation ten lists [edit]

The moving-picture show was included in the following superlative ten lists for the best films of 2012:

Publication Rank
ReelViews i[57]
MTV 3[58]
The Skinny 4[59]
New York Post 8[60]
Total Motion-picture show ix[61]
The Huffington Post 10[62]
The Atlantic Wire N/A[63]
Christianity Today 8[64]

References [edit]

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  64. ^ "The Most Redeeming Movies of 2012". Christianity Today. Archived from the original on May 12, 2013. Retrieved March 20, 2013.

Farther reading [edit]

  • Ian Stasukevich. "Payback Time". American Cinematographer. Vol. 93, No. 10. October 2012. ISSN 0002-7928. Hollywood: California. Pages 64–seventy, 72–75. Behind-the-scenes article focusing on the film's camera piece of work, lighting, etc. 11 pages, 20 photos.

External links [edit]

  • Official website Edit this at Wikidata
  • Looper at IMDb
  • Looper at AllMovie
  • Looper at Box Office Mojo
  • Looper at The Numbers

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Source: https://en.wikipedia.org/wiki/Looper_(film)

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